His Dark Materials is one of the most successful series
of books in the modern era in Britain. It was number three on The Big Read 2003
and to be liked by the public is no mean feat. However, Pullman only gets
credit for the one book, even though Materials
is a series of three books. J.K Rowling is credited with 4 of the Harry Potter
books for some bizarre reason.
Anyway, 2003
public accolades aside, I received Northern
Lights as a Christmas present a few years ago and charged through the book
and felt compelled to finished the series a lot quicker than I normally would
(I’m still working on Sword of Shadows
despite reading the first book in 2009).
I enjoyed the
first book a lot despite some choice narration which seems really out of place.
On page 120 there is a description of a
guy called Farder Coram smiling that goes like this: ‘Farder Coram’s smile was
a hesitant, rich, complicated expression that trembled across his face like
sunlight chasing shadows on a windy March day.’ What the hell does that even
mean? Especially when it’s next to John Faa’s smile which is, ‘slow, warm,
plain and kindly.’ And overkilled with adjectives. But Pullman wasn’t going to
write that was he? Compare to rest of the book, in terms of tone and style,
this little section lifts right out. I didn’t just glance over it either so
whatever it’s meant to do, it certainly does something.
Whereas on
the whole, the trilogy was exceptional, there was one continual irritant
throughout – Lyra Belacqua, the story’s main protagonist.
Never has a
character, when surrounded by a magnificent story, Made me want to tear a book
into shreds just to be rid of her. She is spoilt, selfish and annoying
throughout to the point where it made my head hurt. I found it impossible to
relate to her.
I much
preferred Will Parry who appears in the second book, The Subtle Knife. He is well-constructed, edgy and has an air of
misfortune about him that I found easy to relate to.
Where Northern Lights and The Subtle Knife are both great books, Pullman then has the problem
faced by many authors – finishing a masterpiece. The Amber Spyglass, bringing the trilogy to a total of 1,271 pages,
does... an okay job. I’m going down the middle here as I liked how it panned
out but there were a few things I didn’t agree with.
The first thing
was when a dude called Metatron turned up. I honestly though Lyra has wondered
into an alternate reality when Megatron destroyed Optimus Prime and had some
kind of robot child spinoff that was worshipped by angels. However, I then did
a little research and found out that Metatron is actually some kind of sort of
Jewish head angel thing. He is mentioned in a few brief passages in The Talmud, a central text of Judaism. This is
really obscure especially as the main focus of the evil in the book is
Christianity. Whereas Metatron is a legitimate name from religious mythology,
Pullman could have picked something a bit more fitting his subject.
I also didn’t like the whole, ‘religion is evil’
undertone throughout. I know it’s meant to be the whole point of the story but Spyglass takes it a little far at times
and Pullman certainly won’t be making friends with the church of England any
time soon.
However, the outstanding award for shittiness,
still goes to Lyra for being the worst protagonist at the centre of a
magnificent story. It’s like finding a long black curly hair sticking out of a
hot chocolate fudge slice (served with cream and ice cream).
On the plus side, her daemon has taken on a
permanent form of a human – he is now the reserve goal keeper for Manchester
City. And French. Who knew?
His Dark Materials bibliography:
- Northern Lights by Philip Pullman was published by Scholastic UK Ltd in 1995. RRP £6.99 (Paperback)
- The Subtle Knife by Philip Pullman was published by Scholastic UK Ltd in 1997. RRP £6.99 (Paperback)
- The Amber Spyglass by Philip Pullman was published by Scholastic UK Ltd in 2000. RRP £7.99 (Paperback)
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