Now I’ve
always been taught that the first page of anything you write is the most
important, especially when it comes to novels. Selling yourself to publishers
happens in about sixty seconds, maybe less depending on how many manuscripts
they have to read. The first page here made me take a second check of what was
going on because the last paragraph, which crosses over to the second page,
starts with some newspaper bullshit of no relevance to the scene and moves
immediately to the action of our main protagonist being arrested. I understand
the reasons for this but it made me stop, think and need to re-read and that’s
not something I should be doing on the first page of a novel.
As I’ve said
above, it took me a while to get used to the writing style, however once I did
it reads quite well. The main issues I had were with some of the character
decisions made throughout the book and they link back to the writing. I will
warn you now that some of things I’m about to say may be considered spoilers
but I will try to be as vague as possible.
As early as
page 39, I started to raise my eyebrows at some of the stuff that was going on.
Apparently the Chief of Police sees Reacher at the crime scene at midnight. Not
one person turns around and asks what the Chief of Police was doing there. Just
a routine stroll around the out-of-town warehouse where someone was murdered as
the exact same time?? This is explained later on as to why he thinks to saw
Reacher there but that just poses more questions than answers. This carries on
for the next twenty pages and not even the first-person narrator questions why
the police chief is there. Maybe I’ve read/watched too many deductive programs
but it would have been the first question on my list.
On page 80
when Reacher and Hubble turn up at the prison, the warden asks which one of the
two of them is Hubble... but doesn’t address Reacher at all. This doesn’t make
any sense. Either you are checking you have both of the right people or you
know both of them. Why only ask one of them? Again, there is a clear reason for
this but it doesn’t make sense to do it in the context it is done unless the
Warden’s character is really stupid but if that’s the case, Reacher isn’t he so
should have sensed something was up. The intelligence of Reacher is established
early on when he works out that Finley is an ex-smoking divorcee just by
looking at him.
In fact, a
lot of the other points I’ve made about the narrative decisions relate to
Reacher’s early show of observation and deduction. Apparently, it’s a super
power that needs to re-charge because he didn’t work out that someone at the
police station didn’t run the victim’s prints and was therefore in on the
murder; he didn’t question the suspicious death of the previous investigator
even though the evidence made me think it was murder (and I was right); he
didn’t work out until a few days after the event, that the white supremacists
who tried to kill him should have been trying to kill Hubble; he doesn’t think
that taking a car from a house would alert anyone watching the house that he
had been back there; he drives for 50 miles further than his petrol tank will
allow him to go but after pointing this out, he isn’t surprised by this and
doesn’t even do a fuel check after stopping.
It’s lucky
though because his super powers come back in to play at the end as he manages
to track down Hubble by making a fuck load of ridiculous assumptions about his
fake name and location that, of course, are right on the money. Looking at
this, it actually seems like his deductive brilliance is actually out of
character.
On the
subject of Reacher, he is the a-typical male character. He objectifies the one
woman in the town who is actually attractive (according to the narrative
anyway) and of course, she ends up fancying him too. It’s all very
stereotypical.
So there you
go, Killer Floor is a novel with some
narrative decisions that are more puzzling that the decision to cast Tom Cruise
as the 6-foot tall blonde guy. As I said though, none of that takes away from
the fact that it’s a very readable book and there are some clever bits in there
that make it worth reading.
Killing Floor by Lee Child was published
by Bantam Press in 1998. RRP £7.99 (Paperback)
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